Posts Tagged: luther college

Wheekend! October 9-12, 2014

Wheekend_Oct9_12_2014

It’s Homecoming/Football/Marching Bands/Leaves Season! Enjoy this fun-filled wheekend in the Driftless! 

Thursday, October 9:
Joe Artz Geologic History of the Upper Iowa River, Decorah Public Library, 6:30 pm

Larry Backer, author reading/chat: “The Education of Nancy Adams,” Dragonfly Books, Decorah, 7 pm

Friday, October 10:
Luther College Presidential Inauguration, Luther Center for Faith and Life, Decorah, 3 pm

David Bromberg, The Englert, Iowa City, 8 pm

Saturday, October 11:
DASY – Dance and Stay Young 25th Party with Blue Mississippi and Guests, Inwood, Spillville, 6:30 pm
Read more here at I Love Inspire(d)!

German Harvest Dinner, Pepperfield Farm, Rural Decorah, 6 pm

Mud Club Night: Candy Bowls, The Clay Studio, Decorah, 6 pm

Crystal City Band, Haymarket, Decorah

Todd Snider with Elizabeth Cook, The Cavalier, La Crosse, WI

Sunday, October 12:
Taste of Ryumonji, Ryumonji Zen Monastery, Rural Decorah, 1-4 pm

All Wheekend:
A Thread in the Dark, Luther Theatre and Dance, Luther College

Hoot on the Root, Music/Art Festival, Lanesboro, Minnesota

Luther College Homecoming, Decorah

40th Annual Osborne Heritage Days  

Have Fun!
XO,
Inspire(d)

Making a Scene… Tanya Gertz / Luther Center Stage Series

This is the first of the 5 part series, Making a Scene – from our fall 2014 magazine.
Written/Interviews by Benji Nichols

CFLWe all know how great seeing a live performance can be, whether at a regional performing arts center, or your neighborhood tavern, but we don’t always think about the countless folks literally behind the scene, making those moments happen. Of course there are the performers, their support crew, audio and lighting techs, publicity folks, bartenders, door staff, and so many others. But what about the people who are at the helm of deciding who and what shows to bring to our region?

Inspire(d) caught up with five different leaders in the Driftless Region who are making amazing performances happen. From fine art, to rockabilly queens, to alcohol free rock and roll, and the Blues, these are the people who truly make it happen. Hats off to these fine folks and the amazing people that work with them to “make a scene” – say thanks the next time you see them (just look for the wizard behind the curtain – or more likely running around making it all happen!). Better yet, buy a ticket and go see the shows!

Tanya Gertz – Luther College Center Stage Series 

Tanya GertzThe Luther College Center Stage Series has anchored the touring performing arts in Northeast Iowa for decades. Since 2005, Tanya Gertz has been the Director of Campus Programming, rounding up staff to juggle hundreds of events moving through various spaces each year. The 2014-15 Center Stage Series kicks off September 13 with The Intergalactic Nemesis, and continues September 25 with the tap-sensation Rhythmic Circus. San Jose Taiko brings the beat October 4, and LA Theatre Works presents “In the Heat of the Night” October 24. A special primer concert with The Awful Purdies focusing on local food and farming will take place Sunday September 14 at Seed Savers exchange – the discussion after this show will be part of a theatrical production from the Working Group Theatre on the Center Stage Series this coming Spring entitled “All Recipes Are Home (April 11, 2015). There’s way more fun, Center Stage Series show info, and online tickets at: tickets.luther.edu

How’d you get into presenting events?

I have been presenting events in this big, whole-hearted way since I started at Luther. However, looking back, I should have seen the possibility long ago as I was often in leadership roles for special events at my high school and college. When I had very few funds in Chicago, I saw everything I could that was free and then all the theatre I could by volunteering anywhere that would take me!

Do you have a most “exciting” live moment?

A few years back, the dance company Diavolo was at Luther. They had this big ship-like set element and there was a moment a dancer intentionally flew off it and the entire audience gasped. It was pretty wonderful to experience that as a presenter – helping to create such a dramatic moment that everyone was connected.

If you could present one show with anyone in the world – past or present – who would it be, and why?

Oh, this question! I care first and foremost about the experience and gifts of each artist to our series. But if I had to choose, it would probably be some kind special gathering of great artists like Dolly Parton, Joshua Bell, Aretha Franklin, Martha Graham, and some young inspiring folks with them like Abigail Washburn and/or Time for Three (who have been here)! And, then once we’ve all had our hearts filled to the brim with great art and our faces lit up with joy, they would come out and greet the great people in our audience!

What are you excited about in the near future?

I am in love with the new series and the energy of it! I am very excited to have San Jose Taiko here andSan Jose Taiko offer not only the evening performance, but also a show for our local schools and multiple workshops in town and on campus. I love that they are the longest-running taiko group in the US, and that the artistic director is a woman. And, though it is next spring – I am unbelievably excited about our premiere of All Recipes Are Home… grown from the stories of the land, food, and farming in Iowa with the setting being at a Decorah family farm.

 

 

Let ‘Er Wail: An Interview with the Wailin’ Jennys

By Sam Wiles 

The Wailin’ Jennys might just have the coolest name in modern music. The obvious but clever pun on country music legend Waylon Jennings’s name is memorable, rhetorically satisfying, and translates broadly across cultural divides. It symbolizes folk music’s ability to span generations. And it was also an accident.

The band’s first gig – a guitar shop in Winnipeg, Canada – was supposed to be a one-time concert for three Canadian solo artists. But when the show was a big success, the owner of the shop suggested the three women form a band and tour as…the Folk Vixens.

“He thought we should have a name, but he kept trying to give us terrible names like ‘the Folk Vixens,’” Nicky Mehta says with a friendly voice and a self-deprecating sense of humor. “He eventually thought of The Wailin’ Jennys and we thought it was okay. So we made these posters before a concert as a joke, with terrible pictures of us that said ‘The Wailin’ Jennys,’ but they actually ended up getting us a lot of attention.”

Since their beginning in 2002, the all-female folk trio has recorded four albums, topped the US Bluegrass charts, appeared on ‘A Prairie Home Companion,’ and rotated personnel a few times.

Mehta, along with fellow Canadians Ruth Moody and Cara Luft, made up the original Wailin’ Jennys until 2004 when Luft went on to pursue a solo career. Enter Annabelle Chvostek, a solo artist from Indie music hotbed Montreal. While the band’s 2004 album 40 Days, recorded with Luft, sounds different than 2006’s Firecracker – recorded with Chvostek – the difference isn’t a deterrent. Chvostek’s distinctly smoky voice is simply an enjoyable change of pace. But in 2007 she left the group to pursue what has been a successful solo career and was replaced by current member Heather Masse, a Maine-born singer who was living in New York. Again, Masse has a distinctively different voice than her predecessors, bringing a slightly smoother element to the group vocally, although the off stage banter is now full of over-the-border jokes.

“There’s some good natured ribbing between us Canadians and Heather,” Mehta says. “We’ll tease her sometimes and she teases us for saying things that Americans don’t usually say, like ‘is it ever cold in here,’ or ‘is it ever hot outside,’ or ‘soory.’”

In spite of the phony rivalry, the group has a great sense of continuity, and that shows through their music. At least some portion of every Wailin’ Jennys song on 40 Days and Firecracker features intricate and beautiful harmonies created by Moody’s soprano, Mehta’s mezzo, and the revolving door of talented altos. The genuine blend of the three voices happens just the way a listener would imagine: organically.

“A lot of times if someone is singing the melody, and when everyone’s familiar with the song, everybody just kind of sings and sees where it goes,” Mehta says.

In addition to of course being talented vocally, The Jennys, as Mehta refers to them, are a cerebral bunch. In an era far removed from the origins of folk, The Jennys understand the difficulty of writing lyrics that sound new but at the same time have a genuine folksiness. For example, the song “Apocalypse Lullaby,” a title that certainly seems post-modern, is inherently soothing. The lyrics sound new, and probably couldn’t have come from a far away time period, but they seem authentic somehow. When Chvostek sings “Spin the speed of light/Tetrahedron blue/One last paradise/You can make for you,” it sounds like bluegrass self help for the modern era. Then some songs sound like old school heartbreak. Others empowering. There’s a non-specific spirituality to The Jennys music that calls on the gospel roots of folk, but is left wholly up to the listeners interpretation (intentionally). Folk music, like The Jennys’ name, is a constant in the American music scene because of its ability to unite old and new followers under a tent of commonality.

“It’s almost a self-revitalizing genre because it spans so many generations. You have people who’ve grown up with the originals,” Mehta says. “And you have the younger bands that are making folk music fresh and new. It can be in world music, or people paying homage to a particular artist. There’s been a lot of evolution in folk music. We’re all trying to make something fresh while trying to honor what’s come before.”

Folk music isn’t the only thing evolving. With the advent of home recording, coupled with the accessibility of the Internet, getting your name and sound out takes a whole new strategy.

“It was harder to get an album made before, but if you got an album made it was easier to get it heard. Now it’s inverted,” Mehta says. “You have to market so much smarter now.”

What’s great about The Jennys is that, no matter how things change, they seem to understand their music and what the genre means in this era of arrogance, cultural indulgence and corporatism.

“It’s more than being quaint. It’s about remembering times when community was more important,” Mehta says. “It’s about embracing the concept of evolution and change, but reminding everyone that we’re part of a global community.”

The Wailin’ Jennys  performed at the Center for Faith and Life at Luther College in Decorah as part of the Center Stage Series.  www.centerstage.luther.edu For more information on Wailin’ Jennys, visit www.thewailinjennys.com.

Sam Wiles enjoyed writing this article, doing the interviews and listening to the music. Additionally, Sam now has plans to star in his own all-female folk trio, the Confusin’ Susans. They will begin touring this summer.