Posts Tagged: kristine jepsen

Read Inspire(d) Spring 2019 Online!

The Spring 2019 Inspire(d) is all about planting the seeds of hope for the future!
Here’s what you’ll find:

Puentes/Bridges • La Crosse Promise • Folk Schools in the Driftless • Sum of Your Biz: Night Dive Swim • Q&A with Mollie B. • How to Make Friends as an Adult • Week of the Young Child • & More!

A note from Aryn:

I don’t know about you, but around this time of year (when I’m making the Spring Inspire(d), I suppose), I find myself thinking, “Thank freakin’ goodness; we’ve made it!” Spring!

Of course, there’s currently a blizzard outside. And there could be false spring or third winter or whatever we got last April (let’s hope not)! But I’ve got my fingers crossed for some spring-like weather, crocuses and daffodils, and open windows soon!

In the meantime, enjoy these pages of fun, positivity, and springtime vibes! We’re all about planting seeds of change with this Inspire(d). We hope to teach our kids empathy, kindness, and compassion, for starters, so that they can create a better future for themselves. This is one of the motivators behind Week of the Young Child, a national movement dedicated to spotlighting our youngest learners – learn more about local efforts in Sara Friedl-Putnam’s story on page 54.

In Maggie Sonnek’s piece about Puentes / Bridges, a Wisconsin non-profit that works to bridge the cultural gap between area farmers and their employees from Mexico, compassion and empathy are big components (pg. 34). It’s such a cool program!

Speaking of cool programs, you should definitely check out Sara Walters’ story on La Crosse Promise (pg. 58) – they offer a scholarship – up to $50,000 – to homeowners/buyers who are willing to invest in two challenged neighborhoods in La Crosse. It’s truly an innovative approach to neighborhood revitalization.

And we love the self-love that Heather Caye Brown promotes through her swimwear company, Night Dive Swim, and in this Spring’s Sum of Your Business. What better message to share with our kids than to Love Your Self?!

As for the literal seeds on the cover: You can use those for the Paper Earth Hearts Roxie and I made for this issue’s paper project (pg. 33)! We put them together on one of the many January snow days, and are thinking they’ll make great Earth Day presents for friends and neighbors this April.

Make sure not to miss Benji’s fun Q&A with polka music star Mollie B., my infographic, “How to Make Friends as an Adult” (it’s not as tricky as you think!), and a great line-up of fun events to cure your Spring Fever this year!

Thinking you need something a little more in-depth to get you out of the house? Consider signing up for a class at one of the great Folk Schools in the Driftless! Learn about offerings from Driftless Folk School, Eagle Bluff Skills School, and Vesterheim Folk Art School in Kristine Jepsen’s story on page 19.

We’ve got plenty more, too, to help keep you entertained until the snow melts and the seeds start sprouting!

Happy Spring, friends!

Looking forward,

Aryn Henning Nichols

Click here to read the Spring 2019 Inspire(d) online!

Read Inspire(d) Winter 2018-19 Online!

Inspire(d) Winter 2018-19

The Winter 2018-19 Inspire(d) is all about walking your talk! Here’s what you’ll find:

Female Mayors in the Driftless Region • Mentoring in Northeast Iowa, Burning Bright • Getting in the Spirit – RockFilter Distillery, La Crosse Distilling Co., Harmony Spirits • Sum of Your Biz: David Wadsworth • Snowbird on the Cheap • & More!

A note from Aryn:

Those feet on the cover? They’re mine and Roxie’s, and looking at that picture gives me a sense of pride, excitement, and – I’m finding as I get older – a sense of urgency. I know, I know: I’m only 37! But time keeps on ticking away, and I want to be sure we’ve a.) lived this life well and b.) taken care of this world so our daughter can live her life well, too.

I think about it every day – are we doing enough? What will things be like for Roxie in 10, 20, 30 years? The urgency of it all starts to seep in. But I take a deep breath, and do what I can do. I try to walk our talk within our community by emulating the ideas we write about in this magazine.

Others walk their talks in their own, awesome ways, like Driftless women who have recently pulled a seat up to the political table as mayors. Maggie Sonnek interviewed four such women – some are the first female mayors in the history of their towns. This comes as we celebrate a record number of women elected to congress in November 2018. It’s (beyond) time, and it’s exciting. I applaud and support these women, and I’m happy they’re providing these great examples of female leaders for Roxie.

In a different  – but equally important – role, there are mentors in Northeast Iowa who are directly supporting young people through Helping Services Youth Mentoring. 2018 marked the program’s 20-year anniversary of fostering positive friendships and experiences in the area, and January is National Mentoring Month. I interviewed Mentoring Coordinator Kathy Schwartzhoff, as well as local mentor Paul Bauhs and his mentee, Jake, about the ripple of good impacts that has come from the program (and how you can join in too).

Decorah’s popular winter solstice concert, Burning Bright, has been bringing light in the darkness and giving back to the community… also for two decades! Choir member Kristine Jepsen chats with founding members and directors as they reflect on years past and prepare for this season’s performance.

Along with the work (and joy) of walking our talk, there also has to be time for fun. This day – and every day – is one to be lived well. Winter can be a tough time for remembering that, so we put together some ideas to help you get out – of the doldrums, and out the door, too. Winter challenges, ideas for “Snowbirding on the Cheap,” and more. Plus, don’t miss Sara Walter’s feature on the rise in craft distilling in the Driftless – read about RockFilter Distillery, La Crosse Distilling Co., and Harmony Spirits, then grab your designated driver and head out to explore this new and rising industry in our region. Special shout-out to my good friend and photographer, Jen Opheim, for road tripping with me to Spring Grove – see her beautiful photographs of RockFilter starting on page 44.

Other days, you might want to stay in. We’ve got you covered! Maybe as you make your house extra koselig (remember? If you don’t, check page 32) you can read about David Wadsworth and Wadsworth Construction in this issue’s Sum of Your Business. Making houses cozy and well put together is what he’s all about.

All of us here at Inspire(d) hope you have a great end of 2018, and that you look to 2019 as a year filled with possibilities. You can do anything! Let’s do this!

Happy New Year! Thank you for reading – and being – Inspire(d)!

Looking forward,

Aryn Henning Nichols

Read the Winter 2018-19 Inspire(d) online here!

Darkness to Light: Burning Bright

By Kristine Jepsen

Decorah’s winter solstice concert, Burning Bright, celebrates 20 years of bringing light in the darkness and giving back to the community. Choir member Kristine Jepsen chats with founding members and directors as they reflect on years past and prepare for this season’s performance.

“Oooh, that one’s my favorite,” fellow alto Emily Neal whispers as we open our binders to “The Parting Glass,” a traditional Scottish tune about toasting one’s friends. We’re sitting in choir rehearsal for Burning Bright, an annual winter concert that brings together singers and instrumentalists in the Decorah area.

Kathy Reed, who co-directs Burning Bright with Otter Dreaming, settles at the keyboard, ready to prompt us, as late-afternoon sun slants in through First United Methodist’s stained-glass windows. We’ve sung this rollicking, bittersweet song before, and that’s all the more reason we want to get it right.

In the deep of this winter, the Burning Bright chorus, along with instrumentalists and youth and children’s choirs, celebrates two decades of offering “light in the darkness.” The concert – two performances, actually – is a handmade gift of obscure carols, folk songs, and sacred world music. Each year, the pieces reflect a theme, and in this anniversary year, it’s “Exultation.” Some pieces honor Christmas, but more centrally, Burning Bright – BB, as members say – is about the winter solstice, the night on which our hours of darkness turn toward light.    

“You said ‘I Am Christmas’ was your favorite song on the concert,” I whisper back, kidding, as the opening accompaniment unfolds. “I know,” Emily says with a happy sigh. “I love them all. For me, this is it. This IS Christmas.” I get what she means.

Burning Bright itself started with just one song – “‘Twas on a Night Like This,” arranged for soprano, harpsichord, and oboe, to the hymn tune of “When Christ Was Born on Earth.” The first-ever performance was called “Songs of Christmas: A Concert for Harpsichord and Voice,” says Decorah business owner Ellen Rockne, the “voice” in question.

A child of the Lutheran singing tradition, Ellen was already a chronic music organizer and accomplished soloist when she moved to Decorah in 1996. She crossed paths with Kathy Reed through their young children’s homeschool activities and soon shared her dream of a winter concert to warm the cold Midwestern nights. Kathy, who is formally trained in musicology and harpsichord performance, felt their synergy immediately.

“I didn’t move here because of the potential to combine these different aspects of my musical life,” says Kathy, who is now an instructor of music at Luther College, “but one day our kids’ group met up and someone mentioned trains, and then someone jumped in and said, ‘Hey! We know some songs about trains!’ and we all spontaneously started singing, and I thought, ‘OK, this is a place where people sing. That’s fun.”

Ellen, by her own admission, sings all the time. “I don’t even know I’m singing, but my now-grown sons say I never stop,” she says. “The disconcerting thing is that as the years pass, I find myself making up little songs about every little thing,” she says, laughing and rolling her eyes. “The other day, I caught myself singing a tune to the phrase, “Now, here is my tea….”

Otter first got involved with the concert in 2002 as a singer, and joined its administrative ranks soon after, Kathy says. “At dress rehearsal that year, we sang everything end-to-end and realized the concert would be three hours long – a major problem, since we really wanted a two-hour program. At some point, Otter mentioned as tactfully as possible, ‘You know, you could identify a number of pieces – say, 20 – that will fill out the time, more or less, and aim for that each year,’ and I thought, ‘Oh! Now there’s someone we need organizing this thing.’ And he was right: That target number is 19 pieces,” Kathy concludes. “We’ve stuck to it ever since.”

The goal with Burning Bright, Otter and Kathy say, is making the concert accessible both to participants – ranging from professional musicians to debut choristers – and a diverse audience. Often, this means making the sound intentionally less “perfect” and more faithful to a song’s historical roots. “OK!” Kathy says, presiding with a smile over a section of skilled sopranos. “Now that you know your line, let’s make sure it isn’t that ‘pretty’ ever again. I need more ‘hale and hearty’ from the beginning.”

“You mean, lusty?” a choir member pipes up, gambling for a laugh.

“No, no,” says Kathy quickly, in her quietly irreverent way. “I mean….”

“Musty?” another member suggests. “Fusty?”

“Well, I’m not going to say lusty,” Kathy presses with a wry smile, “but, with more vigor.”

If none of these songs or techniques sound familiar, that’s by design. “This is never going to be a concert of familiar carols,” Kathy explains, though often there is one audience sing-along. She prepares pieces for the Burning Bright choir that resonate with her, sometimes arranging songs to fit the group. She did this for the Mary Chapin Carpenter lullaby, “Dreamland” – another piece to be revisited on the 2018 concert – by writing it for men’s voices, instead of a solo woman’s.

“Now Otter,” she continues warmly, “is a composer. He will come across a text he likes and write all four parts for it, or vice versa. He’s also more familiar with world music, bringing in pieces from Africa, from Syria, from musical traditions I’m not as fluent in.”

This is how Burning Bright keeps musicians and audiences coming back: By stitching together a colorful mix of lesser-known music, and welcoming darker themes – fear, grief, loss – along with those of light, hope, and joy.   

“One of the most rewarding and touching things for me,” Otter says, “was performing a short, very personal piece I composed reflecting on the deaths of several friends and family members. I received a thoughtful card from someone who had been in the audience that year, thanking me and telling me how it had helped her to accept her own mother’s death.

“I’ve also been blindsided by emotional reactions to pieces related to my daughter’s arrival in my family and in the community,” he continues. “One Stephen Foster lullaby, ‘Slumber My Darling,’ that Kathy arranged for tenor and bass voices, took me by tearful surprise at the first performance of our concert. I knew it was coming in the second concert and wasn’t expecting the same emotional response, but – surprise, again!”

On a lighter note, Burning Bright members gladly anticipate being caught off-guard by the wit of founding member-singer and sometime-banjo accompanist Dale Kittleson. Known for telling dad jokes when rehearsals get tense, Dale has reportedly encouraged chuckle-inducing costumes and lyrics, such as to the 2017 performance of, “Farewell, my friends, I’m leaving FaceBook…,” a satirical anthem about digital-device dependence. On another concert – without the knowledge of, let alone permission of, the conductors – Dale orchestrated a coup in the bass section. As the song’s verses lilted along, Dale and his cohort stood up and sang their part, “…five for the oxen standing by…” – in their highest falsetto.

“The entire church just erupted in laughter,” Dale says of the packed-to-capacity audience (almost always the case for Burning Bright performances). “I can’t remember who was conducting, but their jaw was on the floor. Then we basses sat down like nothing at all was out of the ordinary, and the sopranos, who followed us in the song, were cracking up, but somehow the beat went on. Now,” he says, with mock seriousness, “in what other group can you pull that off and know, even before you risk it, that your fellow performers will not excommunicate you?

“But that’s all concert stuff – the things the audience sees,” he continues. “Really, I keep coming back for this,” he says, gesturing to the rehearsal that’s just ended, “the privilege of getting together with this group – of catching up with really quality people and working hard on a rich program every year.”

Close to show-time each season, the Burning Bright choir is joined by local instrumentalists – bass, violin, guitar, clarinet, hand drums, recorder, harp, and more. Retired Luther College librarian and professional mandolin player John Goodin was among the first to perform on the concert. He now arranges music for mandolin and writes manuals for Mel Bay Publications – along with scouting out a reel or jig to play on the concert with Decorah violin teacher/performer (and professional vegetable grower) Erik Sessions. Their duet has become a Burning Bright tradition, almost always ending in a blazing, fast-as-they-can-play finale that rouses thunderous applause.

“Here in Decorah, musicians are treated with great respect,” John says, “but the Burning Bright audience is the best. Most years we don’t even know what we will play until the last week or two, so it’s a little bit like stage-diving – where you know that the audience will catch you.”

Proceeds from ticket sales for each Burning Bright concert go to non-profit organizations – usually shedding light on underserved populations at home or abroad. In addition to Decorah Community Food Pantry, the flagship beneficiary each season, choir members nominate and vote on charitable organizations with which they have personal involvement. 2018 beneficiaries are: Neighbors Helping Neighbors of Decorah; Northeast Iowa Peace & Justice Center; Re-Member of Pine Ridge, South Dakota; and The New Hope Jeremiah Project of Cape Town, South Africa.

So it happens that, each midwinter, a concert in the spirit of true community comes together. Performers wear no robes or formal dress – just “jewel-toned” concert attire that might “glow” in the soft light of the chancel. Adult singers steward younger ones, making sure they can see the conductor and be seen by the audience, amidst their shuffle into place, their sly little hands waving to family in the pews. There will be moments, without doubt, when the music makes space for sadness, doubt, or hurt – making the rising aura of peace and joy feel whole and true.

“When I look back and think of the beautiful voices and musical talents that each person has added to the Burning Bright concert, it makes me realize how unique each year is depending on who we are lucky enough to have performing,” says founding singer Betsy Peirce. “Vocal jazz scats, rich trained voices, tuba, and oboe – it’s so fun coming to the first practice each year, discovering new people who add to our tapestry of sound. The love that flows from the choir, to our directors, to the audience and back again is as palpable as it is audible – the joy on their faces as they listen – that makes it worthwhile.”

Like Burning Bright founder Ellen Rockne, Kristine Jepsen grew up in the Lutheran singing tradition and so loves performing on this winter concert. Outside of the alto section, she writes for literary journals and small businesses – more at kristinejepsen.com.

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Beneficiaries of Burning Bright Concerts Through the Year

Decorah Community Food Pantry
Decorah Public Library Youth Programs
Decorah Volunteer Fire Department
Domestic and Sexual Abuse Resource Center
Decorah Power
NAMI NE Iowa (National Alliance on Mental Illness)
Partners in Health, Haiti
Heart River of Hope, Mandan, North Dakota
Thistle Farm & Magdalene Residence, Tennessee
Project Care
Path to Citizenship
Thunder Rode Therapeutic Riding
Mother Health International’s Uganda Ambulance Fund
Decorah Community Free Medical Clinic
The Northeast Iowa Peace & Justice Center
Rushford Flood Relief Fund
Winneshiek Farmers’ Market Association
Postville Community Support
St. Bridget’s Catholic Church Hispanic Ministry Program, Postville, Iowa
Greater Area Pantry, Calmar, Iowa
Sunrise Foundation, Nicaragua
Postville Children’s Health Fund
Decorah Diversity Appreciation Team
People for Animal Welfare (PAW) of Northeast Iowa
Decorah Community Education and Arts Center

Exultation: Celebrating 20 Years of Burning Bright – a concert to benefit:

Saturday, December 15, 2018 at 4pm and 7 pm

First Methodist Church
302 W Broadway St
Decorah, IA 52101

Advance tickets recommended – available at Oneota Community Food Co-op .